Australia's top female dramatic actors, Robyn Nevin and Cate Blanchett, won their categories in the national Helpmann Awards presented in Sydney last night, but unusually no single production dominated the ceremony.
While Nevin won for Belvoir St Theatre's Summer of the
Seventeenth Doll and Blanchett for Sydney Theatre Company's Gross und Klein,
the award for best play went to Ganesh Versus the Third Reich by the Geelong
company for intellectually impaired performers, Back to Back Theatre.
This was the pattern for the night with glamour productions
picking up individual awards but rarely clinching the top gong in their
categories.
The most successful production was Opera Australia's first
Handa Opera on Sydney Harbour, La Traviata, which won four awards, including
best female singer for Emma Matthews.
Best special event - Perth Festival's Place des Anges
Meow Meow's Little Match Girl at the Malthouse Theatre won
three awards, including best cabaret performer.
Paul Capsis was best actor in a play for Angela's Kitchen.
Also snatched the award for best new Australian work.
Melbourne's Production Company won three musical awards for
Grey Gardens, with Pamela Rabe winning for best female actor in a musical,
Nancye Hayes for her supporting role and Roger Hodgman for direction.
But the overall best musical award went to A Chorus Line.
Stephen Page won best dance choreography for ID from
Bangarra's Belong, which also earned the award for best score for his brother,
David, and Steve Francis.
English company DV8 won for best ballet or dance work for
its verbatim theatre piece, Can We Talk About This? at the Opera House.
Opera Australia won seven awards, with Anthony Dean Griffey
best male performer in Of Mice and Men and Mitchell Butel best actor in a
musical for The Mikado.
But the best opera award went to the State Opera of South Australia's
Moby Dick, which won three awards.
Background...
The Helpmann Awards recognize distinguished artistic
achievement and excellence in Australia's live performing arts sectors. The
recognized disciplines include musical and physical theatre, contemporary and
classical music, opera, and dance, with a comedy category introduced in 2006.
The Helpmann Awards also incorporates the JC Williamson award (formerly the
James Cassius Award) for outstanding contribution to the Australian
entertainment industry.
The award, named after Sir Robert Helpmann, was established
by the Australian Entertainment Industry Association (AEIA). It is similar to
Broadway's Tony Awards and London's Laurence Olivier Awards. The awards
inaugurated in 2001 and are presented annually in Sydney Australia.
The official website lists the objectives of the awards 'to
nationally and internationally serve and promote Australian live performing
arts industry by recognising distinguished artistic achievement and excellence,
ensuring the Awards are administered and made with integrity, ensuring the
Awards are celebrated by the industry and the Australian community; and
ensuring the Awards are the most prestigious awards in the industry and the
highlight of each Season'.
The full name of the Awards is the Helpmann Awards for
Performing Arts in Australia. The trophy was designed by silversmith Hendrik
Forster.
The Helpmann Awards were hosted by Simon Burke from
2001-2006.
Since 2010, the awards have been broadcast live on arts
channel STVDIO.
News Update...
Hours before the Australian theatre industry celebrates its
success with the Helpmann Awards at the Opera House tonight, 100 top actors and
directors have launched a campaign against the use of more foreign performers
on Australian stages.
A long list of Helpmann award winners, including actors
Richard Roxburgh, Rachel Griffiths and Geoffrey Rush, playwright David
Williamson and director Neil Armfield, have signed an open letter to theatre
and musical producers, calling on them to renegotiate a 20-year agreement on
the use of foreign performers.
For two decades, the number of foreign performers hired for
Australian productions has been controlled via the agreement between the
producers' association, Live Performance Australia, and the Media,
Entertainment and Arts Alliance, in a bid to protect local jobs.
Signatory against foreign performers ... actor Geoffrey
Rush.
LPA, which represents subsidised and commercial producers
and organises the Helpmanns, abandoned the agreement in April and since then
has, according to the union, refused to discuss the issue. (Fairfax Media)
Arts Minister Simon Crean, who was not at the awards
ceremony last night but sent an adviser, has said the NCP will appear by the
end of the year.
In LPA's submission to the discussion paper, Richardson
spelled out the sector's need for policies that not only assist production of
cultural events but also encourage demand. It also argued for funds to help
develop new Australian work and for measures to promote private investment.
A note of discord surrounding this year's Helpmanns concerns
the vexed issue of foreign performers working in this country. Earlier this
year LPA unilaterally broke its agreement with the Media, Entertainment and
Arts Alliance, ending an arrangement to consult the union when producers want
to engage foreign artists.
The MEAA yesterday published an open letter to LPA members
-- among the signatories are Neil Armfield, Steven Heathcote, Emma Matthews and
Rush -- warning that harmony between performers and producers is at risk over
the issue.
Websites
Helpmann Awards official website
Sydney Opera House
Eva Rinaldi Photography
Eva Rinaldi Photography Flickr
Music News Australia
MGM Publicity and Promotions